Group Exhibition: TRILOGY
Numero. 51
Apr 4 - Jun 23,2024
Eunoia is pleased to announce the first collaboration with Numero. 51 Concept Gallery, TRILOGY. This is a group exhibition and we will introduce works of Jazz Szu-Ying Chen, Yuka Mori, and Yuka Nishihisamatsu.
Featured Works
Fragonard’s Procession 2
Jazz Szu-Ying Chen
2022
- acrylic paint, ink on Japanese drawing board
H200 x W180 mm (Framed:H332 x W302 x D45 mm)
炎華
Yuka Nishihisamatsu
2023
- Porcelain clay, glaze, gold, platinum, brass, braid, Swarovski
H730 x W280 x D240 mm Photo by Takeru Koroda
化生
Yuka Nishihisamatsu
2022
- Porcelain clay, glaze, gold, platinum, brass, braided cord
H530 x W275 × D55 mm Photo by Takeru Koroda
吸い取る花 -absorbing flower-
Yuka Mori
2024
- Washi paper, Japanese pigment on panel
H727 x W1167 x D30 mm
孤独な部屋 -lonely room-
Yuka Mori
2023
- Washi paper, Japanese pigment on panel
H410 x W318 x D20 mm
二人の肖像5 -portrait of two person 5-
Yuka Mori
2024
- Washi paper, Japanese pigment on panel
H273 x W190 x D20 mm
The “Trilogy” exhibition at Numero 51 Concept Gallery, a collaborative effort with Eunoia Gallery from Osaka, aims to explore the contemporary artistic dynamism.
Jazz Szu-Ying Chen, Yuka Mori, and Yuka Nishihisamatsu’s works, while deeply rooted in their respective countries’ traditions, transcend geographical boundaries to delve into universal themes such as superstition, identity, religion, and the life cycle.
Jazz Chen weaves images from anatomical studies, Nordic and Taiwanese folklore, taking us on a journey through the grotesque and sublime, where mythological monsters and anatomical dissections blend harmoniously against backgrounds inspired by 15th-century altar pieces. Yuka Mori reinterprets traditional Japanese concepts through her painting, creating a fluid world where subject and background blur in a constant interplay between perception and reality. Lastly, Yuka Nishihisamatsu invites us to contemplate the significance of ordinary everyday objects paired with traditional Japanese items, assembling them into delicate, profound sculptures that explore and forge new connections between life, death, and rebirth, often incorporating the lotus, a symbol of purity and regeneration.
“Trilogy” aims to celebrate the diversity and connection between cultures, as well as their history and reinterpretation.
Jazz Szu-Ying Chen, Yuka Mori, and Yuka Nishihisamatsu’s works, while deeply rooted in their respective countries’ traditions, transcend geographical boundaries to delve into universal themes such as superstition, identity, religion, and the life cycle.
Jazz Chen weaves images from anatomical studies, Nordic and Taiwanese folklore, taking us on a journey through the grotesque and sublime, where mythological monsters and anatomical dissections blend harmoniously against backgrounds inspired by 15th-century altar pieces. Yuka Mori reinterprets traditional Japanese concepts through her painting, creating a fluid world where subject and background blur in a constant interplay between perception and reality. Lastly, Yuka Nishihisamatsu invites us to contemplate the significance of ordinary everyday objects paired with traditional Japanese items, assembling them into delicate, profound sculptures that explore and forge new connections between life, death, and rebirth, often incorporating the lotus, a symbol of purity and regeneration.
“Trilogy” aims to celebrate the diversity and connection between cultures, as well as their history and reinterpretation.